I'm about a third into this book by Mr Open Source, and Mr get the money out of politics dude Lawrence Lessig. He explains how both Dems&Repubs adopted essentially the same policies toward Wall St in the early 90's and why. Also why retail politics is so shrill. And exactly what happened with the big crash. He has good arguments that appeal to Repubs, Tea's & Dems.
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Huge fines and preemptive lawsuits for personal use of culture = wack, in my reckoning.
95 year copyrights? This benefits public life how?
Would be interested in any readings that further illustrate your characterizations of Spotify, et al. Thanks!
If you are looking for info on the revenue models of Spotify, Grooveshark: first, note that Grooveshark doesn't actually bother licensing material at all; ie they don't think it's important to pay artists EVER. To me this seems better than Spotify in that it's less deceptive; it may be legal, but the terms are dictated by the major labels who have an equity stake; indies and self-released artists have no bargaining power in setting artist compensation levels, and $0.0004137 a play does not translate into an income stream of any significance. Spotify's founder Daniel Ek is constantly pushing this "Music should be like water" stuff, which is sort of a variant on Lessig ideology (and simultaneously misrepresents the nature of both water and music). Ek's fortune is valued at $308 million, ranking him among the top 10 richest people in the UK (tied with Mick Jagger!)
http://www.digitalmusicnews.com/ usually has decent coverage of these issues.
But will the deep reforms contemplated in these texts get a chance at implementation...? Or are we on an irrevocable course toward a new permanent 'post-meritocracy'.....
For example, Kansas and some other mid states: http://www2.ljworld.com/news/2012/jun/16/brownback-tax-cut-law-produces-winners-and-losers-/
Haven't made it through the comments...