Radoslaw Rychcik/Stefan Zeromski Theatre
In the Solitude of Cotton Fields
posted by: dirtybombpdx
Are self-hating fags by definition homophobic? Toward the end of In the Solitude of Cotton Fields a video montage plays showing bestial acts, acts of violence, drag queens, gay sex, cocks, tits, some psuedo-nihilistic captions and an animated Madonna from Who’s That Girl. I think it’s meant to be scary and shocking, and possibly some sort of commentary on present morality, but what it most definitely is, is banal (and way too long). Like the entirety of the show, everything goes on far too long and is at too high a decibel level. The two actors look cool enough in their retro black suits, white cocks, I mean socks, and loafers, and are quite self-possessed, taking turns rattling off their esoteric “poetry” about cruising each other in the dark. But all the screaming into the mics and forced laughter and Polish and tears are, aside from my bleeding eardrums, sadly laughable and totally HOMOPHOBIC. Or could this possibly be a parody ala Spinal Tap? (certainly the volume was at 11). Was I punked? I think, unfortunately, it was all meant in earnest and is basically a circle-jerk for the actors and director. Everything about the piece is tired, from the suits to the bass and drum score (so 90’s, played live by Natural Born Chillers), to the idea that gay love by definition must be aberrant or torturous or nihilistic (so Reagan 80’s). Good god, no wonder most of the planet runs screaming from anything labeled performance art. Really? You want me to pay you money so you can scream in my face and tell me I’m damned? I’m just glad the cute one stripped so I could see his uncircumcised penis. Because like all self-hating fags, all I really want out of life is anonymous cock.
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One of my gay (male) friends who saw this show expressed exactly the same sentiment to me! I feel silly that I did not initially see it from your/his angle. As a straight woman, this show reminded me of my perverse early twenties, and I found it kind of thrilling to remember that warped time. My gay buddy felt EXACTLY the same way you do, about the text in particular. That it’s 30 years behind, self-loathing, and therefore tiresome. (Only directorially, I should add, for we all enjoyed the kick-ass performance by the actors and the band.) I’m dying to know how the actors feel about the content.