Maria Hassabi, SoloShow
Posted By: Robert Tyree
When I heard Cathy Edwards got slack for “exhausting” us last year and read the Mercury’s repeated, brutal, and unintelligible flogging of Meg Stuart’s Maybe Forever (a piece I revered), I was afraid that there might be no meat with our gravy in this year’s festival. Fear assuaged. Maria Hassabi gives us something to chew on. SoloShow is challenging, expansive, and rewarding.
I’m amazed that I was amazed that there was no talking in a dance piece. Instead, we get bodies, dozens of them. We get bodies that shake out of the muscular impossibility of stillness, as if in protest at some unnatural fixation. We get a body that suddenly transforms into a completely new one with lone addition of a face looking at the audience. Some bodies make themselves felt, remarkable tactile and supple, impacting space and generating vastly different powers from one stillness to the next. And then a sudden flatness as I see her face and body in a way that refers my mind to vaguely similar images that I might have seen in magazines, fashion, porn, advertisement, dance promotion, sculpture. Who knows, but this is not the same body. It does not have the same flesh, dimensions, or qualities.
Has the body died once I code it as representative? What happens when that body slams loudly onto the floor, suddenly announcing a previously unknown weight? Is it the same body?
This is dance employing its formal elements to mine some core themes. It was spiritual for me, that’s the kind of terrain I found it inhabiting. I’m certainly grateful for the fine composition of space and time, the clarity of the costume, lighting, and sound design, and the opportunity for a focused engagement with the timeless powers inherent to bodies that forever infect us with wonder despite our many deaths in meaning.
At the end of the performance, someone next to me said, “That was the most boring performance I have ever seen.” Well, as they say, ‘Only boring people get bored.’ I fear for any culture that has lost it’s ability to sense what a body creates. There’s no reason why such a culture would survive.
Not the most relevant, but good enough for a shameless re-blog (from: newshelton.com/wet/dry/)
“The body can by the sole laws of its nature do many things which the mind wonders at.
Again, no one knows how or by what means the mind moves the body, nor how many various degrees of motion it can impart to the body, nor how quickly it can move it. Thus, when men say that this or that physical action has its origin in the mind, which latter has dominion over the body, they are using words without meaning, or are confessing in specious phraseology that they are ignorant of the cause of the said action, and do not wonder at it.”
Spinoza, The Ethics, 1673
Urban Honking
is a community of writers, visual artists, musicians, filmmakers, and other great humans.
-
Recent Posts
@p_i_c_a
-
58 mins ago
T @edibleportland: Thank you @P_I_C_A for chance to try out wild salmon grilling. Lola needed a little time to get used to those coals! ht… -
4 hours ago
cmonlanguage continues tomorrow with 1st of Craycroft's weekly events—1st up is #TBA11 alum Ohad Meromi's Flat Dance http://t.co/PmqOgubR0a
-
58 mins ago
resourceroom.tumblr
Recent Comments
- Marty Kinsella on A Taxonomy of Chairs
- laura becker on A Taxonomy of Chairs
- Rosine Evans on A Taxonomy of Chairs
- Rosine Evans on Bookmarks
- Bryan Markovitz on Nature Theater of Oklahoma
Archives
- March 2013
- February 2013
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- October 2010
- September 2010
- August 2010
- July 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- November 2009
- September 2009
- August 2009
- May 2009
- April 2009
- March 2009
- February 2009
- January 2009
- October 2008
- September 2008
- February 2008
- January 2008
- October 2007
- September 2007
- August 2007
- May 2007
- April 2007
- February 2007
- January 2007
- October 2006
- September 2006
- August 2006
- July 2006
- April 2006
- November 2005
- October 2005
- September 2005
- August 2005
- July 2005
- June 2005
Categories
Meta
Great review! Like the comically vocal neighbor, I was also bored by this show, though I was expecting to love it. Even though I understood the references to media imagery (though that was the only thing I really understood), I felt like I was slogging through a required life drawing class. You bring up many revelatory points that help me at least understand the performance. So, thanks!
Nice review. I especially like the first paragraph–sublimely Pagliesque!
Wow, I never knew you could look at dance so many ways – I loved your review.