Mike Daisey’s “Monopoly” is a time traveling, novelistic monologue, spanning the stories of Nikolai Tesla, Microsoft, Parker Brothers, and Daisey’s experience trying to put together a show about Tesla in New York. Each story is a scene, and a very entertaining one at that. Mike Daisey comes from the Chris Farley, fists-clenched, red-faced, making-you’re-your-audience-laugh- while-simultaneously-making-them-worry-about-you-having-a-heart-attack school of comedy. But Daisey is much more than that, he’s also incredibly clever and sweet, and all of his characters, heroes and villains alike, are rendered vividly and lovingly, (even when they’re a lie). But these tales, although touching, and hilarious, and without a doubt entertaining, seemed to wander unrelated, save that they shared the universal truth of “corporations are bad, and they will fuck you, so don’t believe the hype.”
The “Here’s a bunch of seemingly unrelated stuff until I tie it together and Blow Your Fucking Mind” is one of my favorite tricks, and near the end of the show, I was excited and anticipating that neat, curtain lifting, invisible lasso magic trick. But it never happened. We are left with Tesla screwed, small towns screwed, the inventor of “The Landlord Game” screwed, MS Word users screwed, and told that it’s up to us to change the situation, and that it’s not too late, despite the desolation of small business in America, the abandoned, ivy covered mausoleum that is Tesla’s wireless power tower, and Windows Vista. And I knew I was being left behind, I could hear the somber pacing, and the serious tone and I thought, wait a minute, seriously? He’s ending this telling a bunch of performance art loving, Mac users in the Pearl not to shop at Walmart? Not to buy Vista? Well, hey, mission accomplished! “Monopoly” is a great show, and Mike Daisey is a talented and charming performer, and I have every intention of enjoying future shows, but if a call to action is what is being trumpeted, then I think we need to talk less about the hands we wouldn’t shake with a 10 foot pole*, and more about the hands that feed us. Still, 8/10.
-by Abe Ingle
* you know, like with a glove at the end
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Hey, so, I am not really sure he was saying don’t shop at wal*mart, at least not outright. It seemed to me like he was playing with the shades of grey.
Not so, to you?
Well it definitely wasn’t an anti-Walmart assembly, and I appreciate, by all definitions, the notion of “The town sucked before,” and the shades of grey throughout the show. I guess I’m not sure what to make of the ending. I don’t see why it’s “not too late’ for us, or why it is for other people, and I guess it leads me to think he meant that it’s not too late for us to take bolt cutters to the fence he couldn’t get through, and, you know “fight the power/don’t believe the hype,” or otherwise bum rush the show, as Walmart blends, albeit in shades of gray, into the starker anti-corporate Microsoft/Parker Bros./Edison stuff. I was also, of course, trying to get a review out in a timely manner, and wouldn’t mind discussing the ending further with people other than my friends and I am certainly open to being educated and if that happens, I’ll definitely update this post.
I see where you might be going with this, and how maybe i missed what you meant in the first place. It’s kind of a bit of a performer trick–heck maybe a writer trick, too–to throw in a call of action at the end of something, isn’t it?
And so, when Daisey threw in this vision at the end, and we are left feeling chills, what did it actually produce with that call? And will it work? And is this discussion, or the discussion other people are having around this, enough?
These are good questions that you are asking, if that’s what you are asking.