I am blonde and I am catty

I will post photos as soon as I have some good ones, but so far the only ones I’ve taken have been self-portraits in my car at stoplights. Because I am blonde now. Well, blonde-ish. More frosted, I guess. I look sort of like a news anchor. See, I ended up “winning” a free cut and color from an Aveda salon near my work, and feeling (as you know, ad nauseum) like I needed a little Joy right about now, I made the appointment for a whole new look. Except that I didn’t really want a whole new look. I wanted my same haircut, just cleaned up a little, and my same grey hairs on display for all to see. I wanted my bangs a little shorter. And I wanted some very mellow lighter brown highlights. You know, for depth or whatever. But the man who cut my hair was a sort of frumpy 1980’s washout, with a Great Clips commercial-esque bleached fade. And when I told him I wanted very subtle color, he acted completely disgusted, as if I was asking him to marinate my hair in chlorine for an hour and then cut it with a primitive stone knife. According to him, blonde highlights are the only kind of highlights, and that even with my very dark brown hair, blonde highlights could still look very natural. Which I didn’t buy for a second, but let him do anyway because it was clear he didn’t want to be giving a girl a free haircut anyway, and I wanted to be accommodating. (Which by the way is my MO these days.) So I looked on while he brought out the bleach and the foil and the crusty paintbrush. And I sat under the dryer and read US Weekly. And I let him put literally 8 sticky products in my hair. The one thing I can say about my hair right now with absolute certainty is that it is very, very sticky. Apart from that it’s just frosty. Boring cut, no bangs. Sort of bubble shaped right now, but I’m hoping that will go away with washing. I tipped him ten dollars. I will make an appointment tomorrow with nice nice nice man Joe V who will fix me up and make me look 26 again. Instead of 56. Maybe he can fit me in next week? Sigh.
It’s not that bad.
I was going to write a sort of catty post on the PDX Film Fest site about how much I hate Q & A’s with directors. But then I read the posts that went up today and they were so thoughtful and appreciative that I felt bad and backed down. Even though I guilted MIke into giving me a login for that blog ASAP. No no, I can’t be catty on that blog.
But I can be catty here! I hate director and/or artist and/or actor and/or musician talk-backs after shows. Don’t get me wrong, I like to hear artists speak about their work. What I don’t like are the dick-slinging questioners who use their moment in front of the mic to prove to everyone in the room that they understood the film better than everyone in the room. Including the director. They ask, “What made you decide to use a hand held shot during the bedroom scene? Do you feel that hand held shots in general provide more intimacy to the moment, or were you making a comment on the fumblings of new lovers?” But what they mean is, “I am a film aficionado. I am a nuanced critic of The Arts. You (director) and I share an understanding of The Arts that is beyond earthly comprehension. It is, rather, celestial. Or perhaps you do not understand at all. (This condescending tone of voice I am now using to respond to your response with my elaborate follow-up question denotes that I have lost all respect for you.) Perhaps what you have created is nothing more than a naive accident, and I will now attempt to trap you into a faltering admission of this fact.” Fucking douche-bags. I have been an artist at one of these talk-backs, and it’s just excruciating. You can’t do much more than shrug helplessly and mumble something about how every viewer had their own schema and that sometimes artistic decisions are hard to explain in a hot, crowded theater when everyone else just wants to get to the party.
Okay, enough cattiness.
Psyche!
A little bit more.
I won’t name names here, but I was at a party recently and spent some time with some very status-conscious people who sized me up and decided I was pretty low on the totem pole of PDX coolness and proceeded to fawn over my much more street credible companions. Can I just call bullshit on this? Anyone who has spent time in this loosely connected “indie rock” community knows the unspoken rule, which is basically just “be cool to everyone.” How many shows have I gone to by myself only to meet nice dudes who later became my tightest homies? How many bands have crashed on how many couches around this ol’ globe? How many baristas have set up installations for traveling artists at their humble cafes? Favors are traded and returned, and connections are made with kindness and word of mouth. So don’t come into my zone and break the unspoken rules! And don’t be presuming to know the lay of the land! Ugh. Maybe it’s not like that, but damn. There is no excuse for rudeness.

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10 Responses to I am blonde and I am catty

  1. Steve Schroeder says:

    I would really recommend waiting on making another hair appointment. I really like it.
    ALSO, IT WILL ASSIST YOU IN GETTING A JOB!

  2. piu piu says:

    i agree about Q & A’s. sometimes they are just ridiculously boring and unnecesarily pretentious

  3. Mikey says:

    I think a smaller group is better for a Q+A. The guy last night was great! He was funny, high energy, and kept trying to push his merch. Good bits!

  4. coco says:

    First of all, you need to ask for some LOWLIGHTS, girlfriend. Let this be the haircut that broke the camels back.From now on, you will be a ruthless customer with a heartily indexed Cosmo in hand.
    Next, I don’t know if you are talking about Portland Main, but as the new century progresses, Portland scensters are really slacking on politness.Can it be all these young adults moving here from Podunk USA,who need to throw themselves full throttle into the burning belly of hipsterdom?Maybe it is a double standard,I am generally loathe to talk to someone with a fashion mullet.
    Lastly, I hate overgrown college boys and their mastabatoury questions too.I allready spent 4 years at LC, enouh allready!

  5. ahe says:

    Willow, I think Chris Walla brought a lot of asshole Seattle scenesters down to Portland with him. Not that I am saddened by their absence up here. Actually, I have heard that there are many Seattle kids moving down to Portland because the rumor is the art/creative scene is far more vibrant and the music scene is on par, couple with the fact that Portland is a lot cheaper.

  6. hason says:

    willow
    i think there was some confusion…they were old friends of your friends who moved away from portland, glad to see them again, not fawning over who they took to be the hipper/more street cred kids.
    things are often more complicated than they seem. and street cred levels are bullshit, you are just as cool as anyone in the UrHo posse.
    man, speaking of cred etc, the EMPopCon is 12 hrs a day of crazy minutiae and nerd cred…apparently it is now okay to like phil collins. but not dan fogelberg (what I’ve learned so far this afternoon).

  7. Sweet Lucy says:

    I dislike snobs of all varieties, whether they be film, music, wine, fashion, or art/design snobs. And being a student of art history, there’s a lot of art snobs out there that like to test me on my smarts and my contemporary art “cred.”
    Status games suck. So most of the time, I just opt out. Either walk away from someone trying to engage me in it, or else just be my very real, goofy self and break out in some fucking weird dance moves.
    (I believe you have seen aforementioned dance moves in the travel movie on my blog!)

  8. willow says:

    Thanks, Hason.
    There is a SLIGHT chance I overreacted due to my current state of sensitivity. :-) I did feel a dismissive vibe, but maybe it wasn’t as intentional as all that.
    Phil Collins, huh? I guess as assignment of street cred can be pretty random. I thought Bruce Hornsby was the king of ironic adoration. Perhaps he’s been usurped?

  9. La Foi says:

    Hey, I hear you. I’ve had this problem before. When my boyfriend and I were first together, often at parties people would fawn all over him while treating me as nothing more than The Girlfriend. And not a very interesting one, at that. This pissed me off to the degree where I started imagining it was happening during EVERY social encounter.
    It’s taken me a long time to find the right balance between honoring my feelings and not sinking into a dark, delusional paranoia. What has helped is finding a cadre of people in Portland, some of them artists, some not, who are warm and open people, and fun to hang out with. People I value, who value me.
    But maybe what helped the most was traveling through Eastern Europe. I met a lot of artists, and none of them treated me this way. This confirmed that I wasn’t crazy. I think in Europe, there’s so much more funding and a sense of pride in being an artist, that you don’t have to spend so much time proving yourself. All my conversations in Europe were not about whether or not I was an artist, and if so, what my credentials were, but about what I was doing.
    Anyway, it’s hard sometimes. It’s important to call bullshit when you see it. Don’t let those fakers rule your scene.

  10. dr. hason says:

    willow
    i don’t think there were ANY papers about bruce hornsby…it’s shocking now that i think about it.
    maybe next year you should propose one!

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