Grazie Fluxblog for the heads-up on Loretta Lynn vs. Jack White vs. “Portland, Oregon” sloe gin fizz/heartbreak epic waltzage. ‘Tis beautiful, captures the old-timey booziness that kept PDX in biz til the straightedge takeover of ’97. Can’t listen to it the same, tho, after hearing Amy Phillips’ EMP paper “White Blood Sells,” on the White Stripes’ subtextual racism. I know the ILM massive has spewed hate-goop in Amy’s path, partially based on her unpopular yet brave opinions (OR does she say what ya think but too chickenshit to speak?) and also partially based on envy—that envy shit’ll undo you like Oprah’s Book Club. ANYWAY, Amy’s paper took ish with White Stripes’ freakishly antebellum lifestyle choices, including an unsettling moment on Conan where Meg was escorted to and from her drumset by a large, butler-esque black man, a la protector and bodyguard, and also a la dainty pale belle, shoeless, emaciated, a vision of beauty on some real 1833 shit.
It was interesting and Amy made the case pretty well; my main complaint was that it too reliant on quotes from texts, rather than personal conclusions based on said quotes (I thought she should have argued it more, STATED rather than questioned). But if it was her effing dissertation, then I’m sure academia wasn’t hating on her use of like, Lacan (not a real cited source; I just cannot remember who she quoted). Her quotes culled from Jack White interviews, especially his much-deconstructed Bill O’Reillian stance on hip-hop—plus his very conservative call for a return to values, old-style values, where a man was a man and a woman was his dawg, or whateves—paved a clear road up to her thesis. She then took to task the CRITICS who want a return to values, or rather a return to rock; the critics who see in the White Stripes so much hope for the perpetuation of guitars; the critics who still love to love the stuff on the Victrola at their teenage dance parties*; the critics who, despite comparatively not-mindblowing alb sales, wheatpaste the Stripes’ pasty mugs ‘cross every mag cover in Anglo-Saxia, up to and including the New Musical Express. AKA the ILM poison apple “rockism.”
I agree with about 14% of what Amy Phillips says, but I am stoked on her tuff chutzpah and think the line “this is the kind of music indie boys put on when they want to have sex” is amazing. Her points are sharp and she speaks for culture, not just list-cataloguing. She forgoes the dewey decimal in favor of the real. Diggable.
Urban Honking
is a community of writers, visual artists, musicians, filmmakers, and other great humans.
-
Recent Posts
Archives
- February 2014
- June 2013
- February 2012
- January 2012
- October 2011
- September 2011
- July 2011
- January 2011
- December 2010
- November 2010
- October 2010
- June 2010
- January 2010
- December 2009
- November 2009
- September 2009
- July 2009
- June 2009
- April 2009
- March 2009
- February 2009
- January 2009
- December 2008
- November 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- March 2008
- February 2008
- January 2008
- December 2007
- November 2007
- October 2007
- September 2007
- August 2007
- July 2007
- June 2007
- May 2007
- April 2007
- March 2007
- February 2007
- January 2007
- December 2006
- November 2006
- October 2006
- September 2006
- August 2006
- July 2006
- June 2006
- May 2006
- April 2006
- March 2006
- February 2006
- January 2006
- December 2005
- November 2005
- October 2005
- September 2005
- August 2005
- July 2005
- June 2005
- May 2005
- April 2005
- March 2005
- February 2005
- January 2005
- December 2004
- November 2004
- October 2004
- September 2004
- August 2004
- July 2004
- June 2004
- May 2004
- April 2004
- March 2004
- February 2004
- January 2004
- December 2003
- November 2003
Categories
Meta