They had the primitive technologist convention, microPALOOZA, atGround Kontrol, a “retrocade” populated by Centipede and Dig Dug and BurgerTime and varying degrees of Commodore, on display, some for sale ($1499 for a game using vector graphics). Under-21s in nu Pac Man tee-shirts, enraptured by (Italo) disco versions of Inspector Gadget theme song on modified C64s and circuit-bent chiptune makers, danced like tent revival converts. We pumped quarters into pinball machines– none newer than Addams Family, some older than Brooke Shields in that movie Tilt. It was the ’80s version of the future, but like time had actually ceased. Why did ’80s technology come encased in such boring plastic?: greyish tan, frumpy coal, ambiguous brown, as though it was something dangerous, dressed in not-quite friendly, sensible hues, for maximum neutrality. Before technology was reinterpreted in iMac raspberry, sensual G4 platinum. Before technology was sexy. My cell phone rang–vibrated, actually–and I felt uncomfortable answering it, with its auspicious earpiece and dainty nature; I felt as if, by answering, every Commodore enthusiast in the place would turn and point and scream in alien-bloody octaves. I would become Donald Sutherland in Invasion of the Body Snatchers, singled out and marked for death. And still, though some performers were using outdated technology to make futuristic-sounding music weighted heavy with nostalgia, not all the microtunage adhered to a strict set of rules re: gear Ludditism. Some set 8-bit melodies to pre-sequenced (non-Commodore) beats, or imported laptop reverb from the future, aka now.
David and I wandered around the arcade to the tunes of Qbert and Dig Dug–like moths controlled by dazzling blips–played Police Squad Pinball and Joust, and lost. Really, you always lose at these things, unless you just never stop. We happened upon one of Ground Kontrol’s owners, gripping a controller and staring with a kind of anguished passion into a screen. “When I first met him,” David told me, “he said he was addicted to Missile Command in college.” The guy, clearly post-grad and maybe a couple decades on, did not look up, but kept shooting at incoming missiles. When he lost a post, he responded, not to us but to the game: “Shit.”
Urban Honking
is a community of writers, visual artists, musicians, filmmakers, and other great humans.
-
Recent Posts
Archives
- February 2014
- June 2013
- February 2012
- January 2012
- October 2011
- September 2011
- July 2011
- January 2011
- December 2010
- November 2010
- October 2010
- June 2010
- January 2010
- December 2009
- November 2009
- September 2009
- July 2009
- June 2009
- April 2009
- March 2009
- February 2009
- January 2009
- December 2008
- November 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- March 2008
- February 2008
- January 2008
- December 2007
- November 2007
- October 2007
- September 2007
- August 2007
- July 2007
- June 2007
- May 2007
- April 2007
- March 2007
- February 2007
- January 2007
- December 2006
- November 2006
- October 2006
- September 2006
- August 2006
- July 2006
- June 2006
- May 2006
- April 2006
- March 2006
- February 2006
- January 2006
- December 2005
- November 2005
- October 2005
- September 2005
- August 2005
- July 2005
- June 2005
- May 2005
- April 2005
- March 2005
- February 2005
- January 2005
- December 2004
- November 2004
- October 2004
- September 2004
- August 2004
- July 2004
- June 2004
- May 2004
- April 2004
- March 2004
- February 2004
- January 2004
- December 2003
- November 2003
Categories
Meta