dead kid as plot – I SAW THAT http://urbanhonking.com/isawthat Mon, 10 Feb 2014 17:36:23 +0000 en-US hourly 1 TREE OF LIFE http://urbanhonking.com/isawthat/2011/10/17/tree-of-life/ http://urbanhonking.com/isawthat/2011/10/17/tree-of-life/#comments Mon, 17 Oct 2011 02:51:40 +0000 http://urbanhonking.com/isawthat/?p=411 Continue reading ]]> Maybe it’s less intense, a casual visual poesy even, for someone who does not have kids, but I could not finish Tree of Life because it was a perfume commercial for death. It could of told the same story–shiny surfaces contrasting with the crags of Sean Penns face, the agony of the mom with the innocent beauty of her perfect unlined teenagers face (despite being the mother of three pre-teen boys), Brad Pitts pumpkin jaw contrasting with the movie star we know is behind those glasses, ashes to ashes, martian dust to bible quotes and dinosaurs to leaves. Is there a narrative to be had? I mean, is there a reason behind the movie to care–because the easy part is just having close-up shots of beautiful people and trees. How to make the beautiful people’s lives compelling? Kill a kid. Make us care that they are crying. Also, if you are going to go through all the total period piece rigamarole and get exact-era matchy matchy modernist furniture or post-war boomer outfitting and set dressing, give every aspect of the movie the same attention: women then, if they were having a hospital birth, would not be awake and lovingly attended by handholding nurses. She would have had a twilight birth and depending on the decade she might have been tied up for a day or two half-concious on a bed, or if it was later on, 50s-early 70’s, say, she would have been knocked out cold and then woken up and presented with a baby she delivered in her sleep. But I guess that’s not part of old dudes lifecycle cinema.

I have to say, huge fan of Malick, always, always, since I saw Days of Heaven when I was maybe 12 and became obsessed with it and I thought “I only ever want to watch movies like this.” Such romantic light! I have not disliked any of his movies, but I really feel like killing a kid is a cheap, easy devise. There is almost none cheaper! It is tied with “threat of rape” and “threat of harm to pregnant woman and unborn child”. I almost thought I might stop watching the so totally good-bad American Horror Story on this second episode because it played on the threat to Coach Taylor’s Wife™ fetus so much, but then it ended up just being a blip in the story, and it weighs no more heavily than the threat of the the face-eating hundred year old baby/phantasm in the basement. THAT SAID, American Horror Story is a cliche-driven show on a second string cable network that is like, 13% Dylan McDermott’s sexual rage/flashes of side-peen. Terrance Malick won the Palme D’or! He is an American Auteur. I woulda booed this shit at Cannes, too. I feel like killing the weak and most vulnerable person in the story is so Hollywood hangover, and the preggo-peril/rape threat so a lingering tide of so much torture porn (SAW,etc.,etc.). I am not saying no child should credibly die, or the weak should never be killed–I mean, I love some Dogville and some other Von Trier stuff and he loves to sacrifice the sufferer, for the innocent to suffer, for the kid and poor blinded Bjork to die, their lives wasted. I know plenty of people argue that LVT does this to “manipulate” the audiences emotions (uh, what movie is not made for this express purpose?) but there is a moral hinge, something that baits and hooks us and he shows us up, he shoves our sympathies in our faces, he says “no, this is really how women are treated in the world, like garbage.” etc. He does so as an allegory about greed or fate or ‘morality’ or wrath or god’s indifference to us.

I mean, does Tree of Life end or continue in such a way where it does not play to our emtional cheap seats? Beautiful people in beautiful places, but you know, they have feelings. Oh, and here is the sunlight, and here are tears and here is outerspace, life is small, our suffering is small, a dead kid is small? THE END?

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