http://urbanhonking.com/ideasfordozens/2006/10/08/passing_shadows_adia_milletts/ Thu, 19 Jun 2014 09:26:37 +0000 hourly 1 http://urbanhonking.com/ideasfordozens/2006/10/08/passing_shadows_adia_milletts/#comment-189 Mon, 09 Oct 2006 10:54:00 +0000 http://urbanhonking.com/ideasfordozens/2006/10/08/passing_shadows_adia_milletts/#comment-189 That sounds like an awfully high falutin’ plotline for CSI. The only time I’ve ever seen that show was when Cary’s dad was on it (he played a victim who gets killed at home after dinner with the kids).
I do love tilt shift photography (it synthesizes the effect of photographing a miniature, though the actual impact is somewhat different in the case of a landscape rather than an interior — whether the miniaturization is real or artificial). If I had an SLR camera, I’d probably buy a Lensbaby — an attachment for doing tilt shift optically on any camera that’s made by this cool company here in Portland.

]]> http://urbanhonking.com/ideasfordozens/2006/10/08/passing_shadows_adia_milletts/#comment-188 Sun, 08 Oct 2006 21:28:46 +0000 http://urbanhonking.com/ideasfordozens/2006/10/08/passing_shadows_adia_milletts/#comment-188 I don’t suppose you have been watching CSI this season? There is a long plot arc concentrating on a small, intricate, super-accurate model of a crime scene found in the crime scene itself. One might also reference those regular, full-scale, real-world landscapes that are made to look like miniatures through use of a shift lens.

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