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July 21, 2006
These musical equations are in balance
By Barbara Mitchell
You know you're in for something more than your standard-issue indie rock from the first notes of "You Can Know Danger," the third album from Portland's At Dusk. Guitars chime and collide, and impassioned vocals kick in at just the right moment. It's math rock done right - a glorious concoction of precision, dissonance and melody.
From the opening notes of "In the Background" clear through to the buoyant closer, "Oh, It's Way Too Late," At Dusk tears into its material with urgency and passion, not to mention skill. "Wish I Was Younger," with its hypnotic sung/spoken vocals, slips nicely into the nervous, jittery "Forever Ago," which morphs and swells to new and bigger crescendos before abruptly dropping into the jazzy-jagged "We Saw Them Leave You There."
If you're not hooked by then, At Dusk probably isn't your cup of tea. If you are, you'll be wishing the polyrhythmic proceedings stretched beyond the 10 compelling tracks - and you'll definitely want to check them out live.
9 p.m. SUNDAY, July 23, Food Hole, 20 N.W. Third Ave., $5, all ages
Posted by kmikeym at 10:09 AM
July 7, 2006
Endgame Art? It's Borrow, Sample and Multiply in an Exhibition at Bard College
By Roberta Smith
In the video gallery, hats off to Matt McCormick's "Subconscious Art of Graffiti Removal," an award-winning 16-minute film from 2001 that wryly documents the antigraffiti campaigns in several northwest cities (mostly Portland, Ore.). Painting over graffiti yields public abstract painting that looks peculiarly modernist and brings to mind Rothko, Motherwell and even Malevich. The video continues the art-is-everywhere ethic of the Borntstein and Ybarra works, showing how the effort to stamp out one collective, public form of expression can result in another one.
Posted by kmikeym at 10:36 AM | Comments (1)
July 5, 2006
Liz Makes The SF Gate
Liz is prominently featured in this photo on SFGate.com of Joey Chestnut.
Posted by kmikeym at 11:50 AM | Comments (1)