Dial J For Fire

Julianne Escobedo Shepherd:
STEADY GUM POPPIN, H.B.I.C.

ASK ABOUT ME:

VIBE

MTV's URGE

VH-1.com

SPIN

Pitchfork

the Jane Mag webyrinth

Let's Get Linky

MAGNA CARTA

July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005
May 2005
April 2005
March 2005
February 2005
January 2005
December 2004
November 2004
October 2004
September 2004
August 2004
July 2004
June 2004
May 2004
April 2004
March 2004
February 2004
January 2004
December 2003
November 2003

as you may predict

FROM September 21, 2006

One troubling aspect of taking semi-professional dance classes five-six times a week is the small faction of students whose apparent aspiration is toward the "fantasy" of the hip-hop dancer, as discerned by the gestural booty rubs that accompany a fixed gaze upon the self, a come-hither flick of the hair as if Ludacris were on the other side of the mirror and, most tellingly, a dance ensemble which is topped with a $350 pair of Bape tennis shoes, patent leather and getting thoroughly sweated in like it's nothing. What the.

Having as-yet-unfulfilled dance-ensemble dreams myself, I would like to make note that I did not judge until I reached the part about the exceedingly expensive kicks -- which, when worn by even the most frivolous of sneaker freaks, generally come equipped with a Q-Tip and a satchel of baby oil for gentle, spot-specific bathing. And yet, there it is, glossy kicks, half my rent, all creased and perspired until the final five-&-six-&-seven-&-eight-& of the cool-down stretch. What the.

Adventures in navigating the foreign terms of the bourgeousie,
JES

<< | Posted on September 21, 2006 at 3:35 PM | >>

Comments (0):

Post a comment:




Remember Me?