Dial J For Fire

Julianne Escobedo Shepherd:
STEADY GUM POPPIN, H.B.I.C.

ASK ABOUT ME:

VIBE

MTV's URGE

VH-1.com

SPIN

Pitchfork

the Jane Mag webyrinth

Let's Get Linky

MAGNA CARTA

April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005
May 2005
April 2005
March 2005
February 2005
January 2005
December 2004
November 2004
October 2004
September 2004
August 2004
July 2004
June 2004
May 2004
April 2004
March 2004
February 2004
January 2004
December 2003
November 2003

raging bull

FROM June 23, 2004

You could probably say that, for the myriad reasons I'm leaving Portland—its deadening easiness; its isle-like monoculture; the clouds and fucking rain, man—mixtapes are one of them. Across the board, the street-tape trade in Portland ranks slightly under transgendered/fat-rights fanzine sales* as viable economic and cultural force. YEsss, I know I can order that shit from the internet, but that's missing half the point. I want experience wrapped up in my street-joint copping, peoples. It’s not the same when my mailperson dumps a mixtape off on my porch, along with electricity shut-off FINAL NOTICES and Home Depot sale ads. Mixtapes rubber-banded with subscription offers from Simple Living—it just takes some of that magic away, you know?

[* I do not take this for granted]

But after Mrs. Unicorn caught me in weep mode over Jada's new full-lengthy offishall yesterday—bonding heavily with its cynic's idealism and music-box anguish, and the part where the ass stinks up the room—I'm happy to see Mr. Blaze emitting such sweet hot flames on the topic.

Now that you know I'm on the Ruff Ryders' home court, though, I would like to now introduce my big "FUCK YOU NUMBER ONE" foam finger, and wave it in Jada's press-box direct, just for this verse (in what would otherwise be in the top three best tracks on Kiss of Death):

"why Kobe have to hit that raw/ why he kiss that whore"

Reading the above-linked article, you may surmise the judge-and-jury headlines are in part due to Kobe's lawyers' intricate relationships with tabloids, Bill Clinton, and unspoken networking/justice loopholes in the continental US. But let us not discount the sole winner in this situation—the accuser/alleged victim-as-pariah, and the disturbing assumption that genius of any kind automatically negates the bearer of guilt or wrongdoing. (R. Kelly! Neil Goldschmidt! What! Is! Up!)
Do I even need to repeat this shit? How about this one: SHE IS 19 YEARS OLD. And whether Kobe’s innocent or guilty, her life is ruined for a long, long time. So Jadakiss, stick to your lathe-shaped brags, your social screeds, your love and courtship ponderances, and most of all, the really touching Gemini self-reflection—because when you do that, you're phenomenally good. But can we all just grant the woman the benefit of the doubt, now, please.
Thanks.

<< | Posted on June 23, 2004 at 4:34 PM | >>

Comments (0):

Post a comment:




Remember Me?