Dial J For Fire

Julianne Escobedo Shepherd:
STEADY GUM POPPIN, H.B.I.C.

ASK ABOUT ME:

VIBE

MTV's URGE

VH-1.com

SPIN

Pitchfork

the Jane Mag webyrinth

Let's Get Linky

MAGNA CARTA

April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005
May 2005
April 2005
March 2005
February 2005
January 2005
December 2004
November 2004
October 2004
September 2004
August 2004
July 2004
June 2004
May 2004
April 2004
March 2004
February 2004
January 2004
December 2003
November 2003

PYT

FROM March 31, 2004

N*E*R*D*'s show last night was hinged entirely upon the life-force that is Pharrell Williams' sexual magnetism. Period. While this is not entirely a bad thing, because Pharrell's sexual magnetism is a hot blast of nuclear light from unexplored (and dangerous!) parallel universes, and succeeded in mesmerizing me* for about four songs (three, if we must perpetuate my impeccably virginal/mo'nastic reputation). But the fact is, when it comes down to it, we just want to love Pharrell for his brain.

Unfortunately, his brain is Spymob.

Spymob, the murderously innocuous pop band from MN who back up N*E*R*D* on a regular basis, seem to believe that "funk" is what one discovers underneath a brawny paper towel--something ICKY and UNSEEMLY... nay, something UNSANITARY! Even the awesome death-grip of Pharrell's diva Id can't cart the hefty weight of their sensible shoes for a whole show. Even 2000 women, girls, and gay boys, peeling out under the pressure of their lust like the screaming wild breath-letting of a helium balloon, cannot disguise the fact that Spymob is boring white male midlife crisis music, and that Pharrell employs a band of such mediocre talent in order to amplify his irrepressable sexy-sexy-uhhh-hoooah.

Freed from the distraction of the music, we were left to concentrate on Pharrell's game-sharpening: unrelenting witty quips/pun segueways ("You know what I love about Portland? The ladies really want to move") and his constant insistence (as first reported by Teen Vogue) that he's just "looking for a girlfriend." Ultimately, even my steely libido grew weary of giving Pharrell its undivided attention, and what was left? Spymob's three pop songs like a brokeass Ben Folds, which evoked puzzled looks from the entire audience (barring a SOLE CONSERVATIVELY DRESSED FAN, who danced and sang every word vehemently). The show was sold out, but by the end, half the crowd left**: the remainder of the audience being 14 yr old girls, myself***, and about 400 top-tier Nike employees.

Inexplicably, most people actually left after Black Eyed Peas; renewing Oregon's Hippie plaque/plague for 2004 (although there's no telling where that TONE-DEAF CHEESY NO-BEYONCE fits into the picture). She did, in fact, mutilate the chorus of "Crazy in Love" while the rest of BEP POGOED and shouted "Let's get retarded! Let's get retarded!" The obvious retort was "you already are!"--opportunity for low-blow heckle very few people around me let pass.

*I admit--this particular style of mesmerization included watery eyes and nearly passing out.

** Including my friend R Kelley, who called me while I was still at the show. "I don't want to fuck Pharrell, so I got bored and went home," he explained.

*** I do not necessarily consider myself outside the idiom of "14 yr old girl."

<< | Posted on March 31, 2004 at 9:18 AM | >>

Comments (0):

Post a comment:




Remember Me?