Dial J For Fire

Julianne Escobedo Shepherd:
STEADY GUM POPPIN, H.B.I.C.

ASK ABOUT ME:

VIBE

MTV's URGE

VH-1.com

SPIN

Pitchfork

the Jane Mag webyrinth

Let's Get Linky

MAGNA CARTA

April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005
May 2005
April 2005
March 2005
February 2005
January 2005
December 2004
November 2004
October 2004
September 2004
August 2004
July 2004
June 2004
May 2004
April 2004
March 2004
February 2004
January 2004
December 2003
November 2003

Panda, Puppy, Apple, Tree

FROM February 28, 2004

From now on, all choreography shall be influenced by the free and sweeping moves of Greg "Deerhoof's drummer" Saunier.

Your memories are never as good as the live show. Greg Saunier, drummer of one kick, one snare, and one crash, perched on a milk crate, his oh-about-6'3" lankiness sprawling from behind, flailing like spackle from the knife of so many Jackson Pollocks. You forget about Greg Saunier's varying states of drum-face, so sincere and nothing like the impassioned wince/orgasmface of classic-rock-convention guitar soloists. It's just what happens: Greg shooting lasers from his eyes at the cymbal. Greg looking pained but hitting the perfect roll. Greg scrunching his face on the kicks, then leaning gently into the mic for a pure moment of falsetto. You get the feeling Greg is the kind of person whose legs loving preschoolers would grasp for dear life.

Deerhoof live show accoutrements--Greg's faces, Satomi's minimal interpretive dances, Chris and John's yogi concentration--they're practically performance art. Deerhoof live is more than a band, they are a traveling circus of wonderment; somewhere, maybe in the green room, they have dancing fleas. I hardly ever know how to unpack their music--I mean, there's the obvious dichotomy between Satomi's candy-cane vocals and the jetties of guitar and rhythm--the arty pop band thing, you know. And last night, in the newly cavernous Meow Meow, I realized that many of their songs are in major keys.

In my realm of understanding, major keys are simple territory--major keys are the first ones you learn in piano, major keys are often what many new and lesser musicians stick to, because they're easier to play. Major keys, they got ease; Middle C, Major G, Every Good Boy Deserves Fudge, Boricua, Morena, Boricua, Morena, etc. But Deerhoof, in major keys, and broke notes in all the right places, makes simple sound complicated, and vice versa. (I think they may have said that very thing once, in an interview.) They're about good, solid, visceral feeling, in primary colors slightly askew, but everyone's parts are incredibly technical. Greg, like, grew up in a drum school run by wolves. Conclusion: they are magical wizards.

<< | Posted on February 28, 2004 at 11:32 AM | >>

Comments (0):

Post a comment:




Remember Me?