orange geometric insanity

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who ever designed this bathroom hates drunk people.

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visitation

The other day I went out searching for my lost journal, retracing the steps of the day I lost it and slowly working backwards. I walked into the Fairway Market and approached the customer service desk with skepticism. I asked the woman working behind the counter if a black book had been left in the store recently, and without hesitation she reached down and pulled my lost journal out from underneath the desk she was sitting at. Without saying a word she handed it to me and gave me a very awkward look. The placement of my journal seemed far to convenient (is the store’s entire lost and found underneath her desk?), and I realized that every employee of the store had read my journal. I wasn’t sure if she was scared or surprised to see me, but certainly a bit perplexed. Perhaps I didn’t look the way she had imagined, or maybe she thought I was a super creep. I am just glad she didn’t reach for the intercom to call security or announce to the other employees that the mystery journal loser (pun intended) had finally come to claim his book. It is too easy to imagine everyone there giving each other a nod or an elbow and whispering “hey, that’s him, that’s the guy who…”
But I was glad I found the journal, and figuring I was on a roll, I thought I might as well re-check their shelf of shaving products to see if they had my razor. That store had been the first place I had looked for the elusive Gillette Sensor days earlier, but their selection was so pathetic I assumed that maybe their stock was just abominably low. Journal in hand I strolled over to the self-hygiene section and, as if it were on a glowing pedestal, there was the Sensor. There sat the razor I had been dreaming about, sitting on a shelf that only days earlier had been barren. It must have been my lucky day. I went home and shaved and then read all the embarrassing stuff in my journal, just to see exactly how much damage had been done.
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A few days later, I sit in my fake loft apartment and recall a very busy week of social exchange, but realize that, although I have been in New York for eight days, I have only spent one of them with a real New Yorker. A day after my well documented two-day affair with The Shins, my old pal Sam Green came through town on his way back to San Francisco after spending a week in Long Island. I like to refer to Sam as “Academy Award Nominated” Sam Green, and always remind him that I was the first person to predict he’d get a nod for his doc The Weather Underground. Academy Award Nominated Sam Green and I met up for dinner here in Red Hook at a nice diner that, to our surprise and dismay, turned into a karaoke venue about 15 minutes after we sat down. Our table was about two feet from the stage, and our hopes for conversation were dashed. We had planned on getting caught up on the new documentary he is making about utopian societies, and specifically his recent trip to Italy to sit in on the World Esperanto Conference.
But, not unlike the free-clothes after the rainstorm incident, another example of utopianism gone wild took over. A large transvestite stood directly next to our table with a microphone and got the karaoke started off with a nice rendition of “I’ll Be There.” That was just about when our food arrived, and while he was singing ‘I’ll Be There,’ there I was eating veggie meat loaf. If that wasn’t awkward enough, the next singer up was a kid who was probably about 12 years old. He was there with his parents and they appeared to be regulars, so I assumed the boy was one of those theatre/choir kids with aspirations for Broadway. But when he got up on the mic, he proceeded to shyly sing Toby Keith’s pro-war-anthem “Courtesy of the Red, White and Blue”. We figured only in New York would you find a black male transvestite and a white 12-year-old boy raised on Fox News singing karaoke back to back, three feet away from us while we were eating dinner.
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“…cuz we’ll put a boot in your ass, it’s the American way…”
On the heels of Sam’s roll through town, my friend Cecily came to visit and was the first to take me up on the David Gatten Red Hook walking tour. Having not visited Red Hook before, or even knowing of it’s existence, Cecily was the perfect test subject. I realized I could have told her just about anything concerning the neighborhood’s history and she probably wouldn’t know the difference. But I figured the tour was really more about performance than factual history, and when a tour ends with Key Lime Pie, who really cares if the facts and dates are a little off? We walked down Beard Street, gazed at the old sugar refinery, looked at the mysterious window displays, peered into the windows of Sonny’s, and walked out onto the docks for the perfect view of the Statue of Liberty.
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I have actually been doing a lot of research about Red Hook lately. Red Hook is an interesting neighborhood, with a long tradition of industry, unions, crime, drugs, and mafia. It is a pretty far walk from the subway, and as a result it missed much of the late 90s development explosion that hit Brooklyn. But times are definitely catching up, and Red Hook now seems to be the new bastion for the young hipster artists who have been priced out of Williamsburg and Fort Greene. I found a great flickr blog about Red Hook and contacted the photographer, who surprisingly was familiar with my films AND had even been to David’s space for a film-screening event a few months ago. We have been corresponding over email and hope to meet up in the next couple days.

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green building

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kicking it w/ the shins in nyc

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Dave, Matt, James, and Marty at MoMA
When you are spending time in a new place, it’s always nice when friends from back home come to visit. That is especially true when those friends are your most famous rock-star friends who are coming to play a show. So it was particularly nice this week when The Shins rolled through New York for a concert and a couple days of media stuff.
It is always fun hanging out with those guys. We’ve all been friends for a long time and have collaborated on a number of projects, and it’s been exciting to watch their steady rise to stardom over the past few years. But it is also a little weird when your friends get famous. You don’t see them as much, and when you hang out with them in party situations you become aware of the social clamoring that is going on around them. You see people desperately trying to make connections and position themselves as close as possible. The post-concert party is certainly one of the more intriguing exhibits of human social behavior and is almost like a game with different levels of play. First is to try to get back stage or to the after party. Then try to get into the same room that everyone is hanging out in. Then try to get a comfortable place to sit or stand and look like you fit in. Then try to get close enough to a band member and try to be introduced or maybe even snap a picture. Then try to start a conversation and make some sort of lasting impression.
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The other funny thing about hanging out with your famous friends is that you become the person who has to take the pictures for all the people who want a picture with the band. Random cameras from random people get handed to you with the plea “could you please take a picture of us?” After a couple times of this happening James and I joked that next time I should just run-off with the camera, and then James would say to the fan “we don’t know him, I thought he was with you.” I was also tempted to just zoom in real close on the person who asked to have the picture taken, so that the band would be cropped out, leaving only a tight close-up of the picture requester. But in the end I didn’t really mind taking the pictures, but there is something a tad humiliating about it all.
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Dave and Marty consider jumping out and grabbing the helicopter, but then decide against it.
The Shins played Wednesday night at a big out-door venue in Brooklyn called McCarran Pool. Apparently it used to be a pretty fancy place to go swimming back in the 1920s, but then was abandoned and left to rot for the past couple decades. Recently it was cleaned up and is being turned into an amphitheatre. The show was a lot of fun and it was good to hear some of their new songs. The next day we decided to go to the Museum of Modern Art to see the current DADA exhibit which I have to say is really great. I have always had a fondness for the Dadaists, and after seeing this exhibit I think that they just might be the first punks. Beyond their collages and ready-mades and crazy films, they also made zines, did media pranks, and had an underground social network that spanned Europe and America. They formed a real community of artists who were all so disenchanted with society that all they could do was mock and ridicule it.
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it was almost heart-breaking to tell Marty he was looking at a blank wall.
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Dave points to the mother-land. James is totally tripping out.
After spending the afternoon at MoMA we had to jet off to the Le Tigre clothing store where The Shins were scheduled a free shopping spree. Apparently, one of the perks of becoming a famous musician is that all the hip clothing brands want you to wear their clothes, so they go out of their way to give it to you for free. On the way there were caught in a downpour and got soaking-wet and walked into the store looking like wet mops. Marty convinced the folks at the store that I was a famous filmmaker and that they should give me clothes too, and our dreamy shopping-spree began. I assembled an ensemble that closely matched that of a UPS delivery person, while everyone else tried on out-fit after out-fit and filled several shopping bags. All the employees got a chance to say hi, and the manager, who may or may not have even heard of The Shins, proclaimed his long admiration for the band. Being able to walk off the street and out of a downpour into a clothing store where everything was free seemed like some strange utopia gone all wrong.
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James: Is this color right on me?
Marty: Um, yeah, sure dude.
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Matt + Jesse go for the team look. Marty + Dave are so happy.
Once we all got decked out in our new, dry clothing, it was then off to a media dinner event. The car service picked us up and delivered us to a fancy Mexican restaurant where journalists from Rolling Stone, Spin, and others were eager to talk to the band and get the inside scoop on the new record. I just hung out in the corner; excited about all the free food and drink I was grubbing while watching James get hounded by writers. Tequila shots started getting passed around and the dinner slowly transformed into a party. I had a nice conversation with a writer from Nylon magazine, and then to my great delight I was actually recognized by an editor from Res magazine who was familiar with my films. Everyone kept talking and hanging out and drinking shots of tequila, and then at one point some mysterious cookies started getting passed around with the warning to only eat one. I took that as a sign to only eat half of one, and sure enough the room started spinning and gravity’s pull became stronger than ever before. Luckily all the journalists seemed as messed up as the rest of us, and what started as a venue for conversation devolved into a stammering dance party. After a few hours we stumbled back to the hotel they were staying at and Dave forced me to listen to some freshly recorded tracks. The first couple songs where absolutely fab, but somewhere between song three and four the images on the i-tunes visualizer became too much for me and I had to say goodbye to the fella’s and make a break back to Brooklyn.
This morning I realized that I must have left all my new Le Tigre gear in the cab, but somehow it seems appropriate. The rock-star for a day magic slippers wore off, and I am now back to plain old Matt. That is probably for the best, however, cause I think I am going to need a couple days to recuperate.
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marty, james, dave, and jesse. pre-show 8-23-06
there are more picts here: www.flickr.com/photos/matt_mccormick

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new york stubble

It was strange to arrive in New York the other night with absolutely no fan-fare: no film festival to go to, no friends to meet, no hotel to check into and nobody waiting to drive me someplace. Just me and my suitcase and the keys to an empty apartment. The cab driver said I looked like a New Yorker and assumed I was just coming home from a trip, but knowing that I couldn’t really give directions to were I was staying I figured I shouldn’t play into his misconceptions. “Nope, I’m just a tourist.”
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Three days later I haven’t really done much of anything. A couple short walks around the neighborhood, a trip to the grocery store, and lots of sitting in the local coffee shop. Day one was sort of disastrous; not only did I leave my razor in Las Vegas, but at some point on my Sunday walk through Red Hook I also lost my journal. This journal was fairly new and not too established, containing more notes about my screenplay than potentially embarrassing personal anecdotes, but it is always disconcerting to loose a journal. A combination of all the lost memories along with the idea of some stranger reading your thoughts is both tragic and humiliating. But perhaps even more jarring is this lost razor, and the slow realization I am having that New York City is anti-razor. All I want is a new Gillette Sensor, a quality, no-frills razor that I have been using for the past ten years. Razors are expensive, and these days it seems like the only razors you can buy are either these stupid new, super-high tech razors that you put a battery in, or the environmentally disastrous disposable razors that you throw away after you use a few times. Both are completely unacceptable in my book, but after spending an afternoon in Manhattan going to every convenience and drug store that I could find I have come up with nothing. Everyone sold the replacement cartridges, but they were out of stock of the actual handle-part of the razor. K-Mart, Rite-Aid, Duane’s Pharmacy, the Dollar Discount, they all left me hanging with an itchy neck. Perhaps New York wants me to grow my beard back? I don’t know, but this lack of razor blade selection is driving me crazy. Where is my pal Fred Meyer when I really need him.
While roaming the streets in search of a razor I called my old friend Ed Halter who is a film critic for the Village Voice. He is a pretty clean-cut guy and I thought that maybe he’d have a lead or two for me, but alas, his suggestions proved futile as well. However, Ed was on his way to Anthology Film Archives to see Dennis Hopper’s 1971 film “The Last Movie” and I figured that sounded like a good thing to get in on, so I ditched my aspirations of finding the razor and busted tail towards the theatre.
“The Last Movie” has got to be one of the most over-the-top crazy psychedelic movies I have ever seen. The film is about a Hollywood stuntman (played by Hopper) who moves to Peru to set up shop and work for movie productions being filmed in the area, but during his tenure he starts to notice the film companies’ negative impact on the local community’s culture. The scenery is incredible and much of the film is shot documentary style with hand held camera work moving through the streets, markets, and back alleys of rural towns in the Peruvian Andes. But the film is truly insane. Imagine the graveyard acid trip scene in Easy Rider and then draw that out for two hours. I imagine that Hopper was influenced by films like El Topo or some of the early surrealist films by Buniel, and at moments The Last Movie really worked. The film had great sound design and disjointed, random editing that created very confusing but rhythmic interchanges. You never were quit sure what was happening, but it still felt intriguing. But too many times the deep tranced out vibe of the film would either be awkwardly interrupted or simply go on for too long and become boring. Ed mentioned that the film’s narrative didn’t really hold together, or at least didn’t come to a climax that felt worthy of all the anticipation, and we both agreed that the movie felt like it just got completely out of control- like an interesting, ambitious idea that just couldn’t hold itself together. But regardless, it was great seeing this old print in the theatre, and it’s definitely a movie worth checking out.

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bad crazyness in las vegas and rhyolite

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Last week I was in Las Vegas, Nevada shooting some film for the Future So Bright project. It was cheap to stay over a couple nights in Vegas on my way to New York, and since Vegas sports an amazing array of old dilapidated motels, road-side attractions and is only a couple hours from the very photogenic ghost-town Rhyolite, I figured it would be worth a stop. Austin filmmaker/photographer/writer Elizabeth Skadden was recently pegged to write an article about me for an upcoming issue of Cinemad Magazine, and knowing that all good journalists make their way through Vegas at some point, she decided it would be best if we conducted the interview in a fancy casino steak house. We met at the airport and went straight to a downtown casino where we immediately lost six dollars in quarter slots. Luckily, it wasn’t long before we discovered the one-dollar margaritas and the rooftop swimming pool at the Horseshoe Hotel.
Las Vegas is a strange place. It is hot and weird and always seems to smell like fried chicken. In some ways it could serve as a poster-child for the long list of what is wrong with America. But while it is a grim reminder of how bad things are, there is also an inherent honesty to the city. The town’s mayor, Oscar Goodman, is a former defense lawyer who represented some of the biggest names in organized crime, and at a recent speaking engagement at a local elementary school and asked by a fourth-grader “if you were stranded on a desert island, what is the one thing you would want with you,” his answer was a confident “a bottle of gin.” Later, when asked about the comment, he replied that the kid should not have asked him the question if he wasn’t prepared to hear the truth. Las Vegas is a sick place, but instead of hiding it like the rest of the country does, it reveals in at and allows the world to see just how nasty it really is.
It didn’t take us long to get completely bored with the casino scene, so the next morning we packed up the (rented) mini-van and drove to Death Valley in search of ghost towns. About 150 miles up highway 95 and then off on some desolate back roads we found the amazing ghost-town Rhyolite, an old gold-rush boom town that sprung up in 1904 and by 1907 had a population of 10,000. But the town’s success was short lived, and by 1920 it was all but abandoned. Today all that remain are the stone and concrete ruins of a few old buildings and a couple signs that warn of rattlesnakes. The town is as quiet and isolated as anywhere I have ever been, and with the exception of a few jackrabbits there is no signs of life. The only sound was the wind hitting your eardrums and the occasional airliner passing overhead. There were no crickets, no grass to blow in the wind, and no nearby highway with semi-trucks lumbering by.
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In the 1970s a small group of eccentrics attempted to form an art colony a few miles south of Rhyolite, and in the early 80s a group of Belgium artists built an open air “art situation” consisting of several large sculptures. The sculptures include a surreal, life-size depiction of the last super and a 25-foot cinder block sculpture of a naked woman. Like Rhyolite, the sculpture yard seems to be completely abandoned, with no sign of life or markings indicating what is going on or who is in charge, but apparently a non-profit group is trying to raise funds to restore it all.
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the (abandoned?) goodwell open air museum, just south of rhyolite, nevada, is very exciting.
Back in Vegas the next day, things seemed even more bizarre. It was as if we had just seen the impending apocalyptic doom facing the city, and only we knew that it was just a matter of time before Las Vegas went down like Rhyolite. But neither of us really felt any need to tell anyone, figuring they’ll all find out soon enough. The ghost-town of Las Vegas would be an interesting sight, but I am not sure how you would classify its ruins, especially the recreations of old ruins such as the Sphinx, the Luxor pyramid, and Caesar’s Palace. Ruins of fake ruins, perhaps, but something tells me that the forces of nature will not be as kind to the newer, plastic and fiber-glass ruins as it has been to the ancient stone ones.
Vegas is an interesting place to go when you have no real interest in gambling. I was there to aim my camera at the places waiting to be bulldozed. Besides the cheap drinks and the blue-plate-specials, the only real highlight of Las Vegas is the Neon Museum, also known as the Neon Bone-Yard. The neon museum is a non-profit group that is trying to save as much of the cities historic neon signs as possible. They have successfully restored several old signs that are on display on the Old Vegas strip, but more intriguing is their expansive bone-yard of old signs yet to be restored that they will let you mill around in if you make a modest donation.
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neon bone-yard, las vegas nevada
The next day Elisabeth and I parted ways, and something tells me that the article will end up being more about prime rib, lobster tails, and accidentally running over snakes with the mini-van on the back-roads of Nevada then it will be about my current film project, but I suppose that is probably a good thing.

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good bye sleater-kinney

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I had the great privilege to film the last Sleater-Kinney show Saturday night in Portland. I have been a fan of theirs for a long time, and was extremely honored when they asked me to direct the video for their song Jumpers last summer. Sleater-Kinney had just formed when I moved to Portland in 1995, and they have always been synonymous with my growing definition of the city.
I am not sure exactly how I am going to edit this new footage together, but I figured that such an epic event needed to be captured on 16mm celluloid. It’s been a long time since I have been to a concert that was as emotionally powerful as this one. People flew from around the world to attend, and I have never seen a crowd pay closer attention to a rock show. The night was super energized, and many tears were shed before the night was over.
I am very proud to have worked with these ladies. The Jumpers video is one of my all time favorite projects, and working with Janet, Corin, and Carrie has always been a pleasure. I am sad to see them hang it up, but happy to see them go out on such a high-note. I truly believe they are one of the most important bands of the past decade.

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ghost towns, stonehenge, and crazy panda robots

My old pal Jenn Keyser has been in town visiting from Chicago. She lived in Portland for several years, and during that time we were in bands together, helped each other with various art projects, and served as a general spark-plug for each other’s creative ventures. So naturally I decided that we should pack up my mini van and head east in search of ghost towns and other adventures.
We headed east following the Columbia River, and made our first stop in The Dalles to pay a visit to the Salvation Army Thrift Store. Jenn is a first rate thrift store shopper who always has good luck. She pretty much taught me how to thrift back in the day, and since then has taken it pro. Jenn’s good luck held, immediately finding an arm-full of vintage dresses while I found not one, not two, but thirty-three crazy robotic panda bears. We bought the place out of pandas and got back on the road, pondering the name “The Dalles” and wondering if there are any other US cities whose name starts with “The”. It’s really kind of awkward, especially when you realize that there is also a “West The Dalles” (wouldn’t “The West Dalles” be easier to say?). Apparently, The Dalles was named by French-Canadian trappers and meant ‘flagstone’, but in the vernacular the meaning is closer to “a place where water is confined by rocks,” and clearly is in reference to the physical terrain of the area and how the Columbia Gorge becomes noticeably steeper at that point. The area was first referred to as The Dalles (though I suppose it was probably Le Dalles??) but then it became Fort Dalles in the mid 1800s. After a couple more name changes, it went back to being The Dalles 1860.
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From The Dalles we continued east and crossed the Columbia over to the Washington side of the gorge. We stopped in and took a tour of the Maryhill Museum, an art museum out in the middle of nowhere that is housed in a giant stone mansion built in the early 1900s by business tycoon Sam Hill. Hill always intended to live in the mansion with his family, but his crazy life style kept him moving around so much that they never moved in. In the 1920s he decided to turn the empty mansion into an art museum, and his friend and fellow art collector Queen Marie of Romania donated much of her art collection to the new museum. Down the road from the museum is the even more peculiar full-scale replica of Stone Henge that Hill built as a monument to soldiers killed in World War I. Hill was a Quaker and a pacifist, and at the time he held the popular (though incorrect) notion that the original Stone Henge was an ancient sacrificial site, and his idea was that a full-scale model of Stone Henge would serve as a reminder that “humanity is still being sacrificed to the god of war.”
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(jenn + matt with sam hill)
The ‘Henge’ seemed like a good launching point to go find ghost towns, so we veered off the back roads and on to the back-back roads and began searching. Thunderclouds rolled in just as we found a beautiful old abandoned gas station, making the sky dark and dramatic. After shooting a few feet of film we continued driving around admiring the dramatic sky that was now showering us with rain and occasionally lightning bolts. I had to slam on the brakes when a deer jumped out into the road just in front of us. Luckily we missed the deer and didn’t drive off the road, but the thirty-three boxes of panda robots that had been stacked in the back where now scattered throughout the van. It was as if there was an eruption of pandas and they were now finding refuge in every nook and cranny of the vehicle.
We continued driving along, admiring a particularly striking bunching of clouds on the horizon, and as if a stroke of Jenn Keyser thrift-store luck hit us, we both noticed what looked like an incredible old abandoned structure out on the distant horizon. There is no way we would have noticed this old place had the crazy sky not drawn our attention to that particular point on the horizon, so in a double take we quickly pulled the van to the side of the road and busted out the binoculars. Sure enough it was an old two story pioneer home, and it was about half a mile away on the other side of a barbed wire fence with ‘no trespassing’ signs posted all over it. The sky was dark and lighting was flashing all around us, so we took that as a sign that we had no choice but to grab the camera and tripod and hop the fence to go investigate. I am not the type who would usually volunteer to walk through a field holding a metal tripod during a lightning storm, but when the light is just right it is hard not to go with it. Hollywood productions spend millions of dollars to try to recreate what we had directly in front of us, but light changes quickly so we had to grab it while we could. Plus I can now say that I have put my life on the line for my silly art project.
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(view from the road)
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(and then a little bit closer)
That is the thing about wandering around with a camera. Light and weather change an environment so much that settings change on a daily basis. I have been walking underneath the east side of the Fremont Bridge on nearly a daily basis for the past decade, and I still notice new things about it each time. That underpass is in just about every movie I have ever made, and it probably will be in at least a few more. Some of these ghost towns are the same. I have been out there so many times that now it’s just about seeing what happens… waiting for the perfect light and creating opportunities to be surprised. It’s all about taking the time to look at things, which really does take a lot of time.
The next day back in Portland we were excited to get batteries and fire up the pandas. We weren’t really sure what was going to happen and once we got the batteries inserted the panda’s eyes lit up green and they started mulling around the boat house. It was like a scene out of Gremlins, only real! I’m not sure what is going to happen with the pandas, but it is sure to be interesting.
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updates and suggestions

dear friends,
it’s been a hectic week, and the blog has been neglected. while I don’t want to kid myself and think that this is a worthy blog entry, there is information that needs to be communicated. consider this a to-do list for future blogging:
UPDATE: While the rumors of my immanent move to New York City have been greatly exaggerated, it is true that I will be living in the Big Apple for a month, starting in mid August. I’ll be house-sitting at David Gatten’s place in Red Hook, and be offering to re-enact the David Gatten walking tour to anyone willing to buy the key lime pie. (more on this later)
UPDATE: I can finally announce that my film+video installation “Future So Bright” will be premiering at the Elizabeth Leach Gallery in February. Future So Bright is a three-projector installation that documents the abandoned relics of American western expansion. (more on this later)
SUGGESTION: I have recently put the Funkadelic song “Hit It and Quit It” on permanent loop in all aspects of my life, and I must say that I have never been happier. When driving or at home, I just listen to that song over and over. It has completely saturated my being, it stays with me wherever I go and is the soundtrack to my dreams. The world is a better place with this song in your head. Girls smile at you and guys want to be your friend, and every moment becomes a dance party. Go to i-tunes and download this song immediately- it will be the best 99 cents you ever spent in your life.
SUGGESTION/UPDATE: My pals The Shins have an awesome new website you should check out, plus a (really really really good) new record that will be coming out in the next couple months.
UPDATE: I have been slaving away at my screenplay “Some Days are Better Than Others” for the past few weeks, trying to get it ready for the August 15 deadline for the Sundance Screen Writer’s Lab. I made the second round, which is awesome, but this is the one that really matters. The lab is a pretty amazing thing, with only 12 of an approximated 3,000 submissions being invited to participate. Keep your fingers crossed and wish me luck! (more on this later)
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still from Future So Bright: Zia Motor Lodge, Rt. 66, Albuquerque, New Mexico

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jury duty part 2

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Just before the lunch break, Barb announced that all but 45 of the potential jurors could go home for the day. Unfortunately, I didn’t make the go-home selection, and was told to be back at the courthouse at 1:30. That’s okay though, because I was excited to have a typical downtown lunch break experience, so I met up with my friend Savannah for a power lunch at Half and Half. From there we took a quick bike ride along the water front, and for a moment I could almost imagine myself having an office job and this being my daily routine… standing in line with the other lunch-rush patrons, fighting for sidewalk space with the lunch-time joggers, and having that dreadful count down in the back of your head reminding you that you will soon have to leave the sunshine and re-enter the world of fluorescent lighting.
Back in the juror’s waiting room, an announcement was made that a grand jury was about to be selected. I put on my game-face; ready to make it clear that I was the last person in the room they would want on a grand jury (which usually take a month), but luckily my name was not called. Now I’m sitting here waiting once again, back on the internet reading about Blosting. Urban Honking is such a nice accompaniment to Jury Duty. Wait a minute; Barb is making an announcement… “Ladies and Gentlemen, it looks like there will be no more trials today, so you are all free to go home.” Fuckin’ A Bubba, I have done my civic duty…

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